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Use cases
Sports and live eventsCollege sportsTV channels and studiosReality TVHouse of worshipConcerts and festivalsCorporate and conferencesCinema and episodicFashion and runwayExtreme and action sportsAll use cases →
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Use cases

Same modules. Ten different shows.

RCP, CI0, RIO, NIO and a colour layer recompose for very different productions. What changes is the topology and the control surface in front of it. Start from yours.

Green: a physical panel earns its place Amber: panel or software, size to the show Cyan: set-and-forget
Sports and live events

Six brands on the cut. One pair of hands.

System cams, POVs and PTZ matched on a live cut, outdoors.
College sports

Every venue on campus. One control room.

Every campus venue shaded from one REMI hub. Panel or software
TV channels and studios

Your studio grew brands. Your control room should not feel it.

Mixed-brand studios joined to router and tally.
Reality TV

Forty cameras, twenty-four hours, one wall to match.

Huge fixed + roaming rigs, one gallery wall. RCP panel
House of worship

No dedicated shader. No mismatched stream.

Volunteer-run, set-and-forget, still matched. Set-and-forget
Concerts and festivals

The light show fights you. Win anyway.

Gimbals in the pit, long lenses at FOH, lighting by design.
Corporate and conferences

Twelve rooms, three offices, one AV team.

Multi-room PTZ estates and multi-site town-halls. Set-and-forget
Cinema and episodic

Cine glass, broadcast discipline.

Cine bodies on a broadcast-style panel, LUTs round-tripped. Panel or software
Fashion and runway

Skin tones and fabric do not forgive.

Skin tones and fabric matched across two colour sciences. Panel or software
Extreme and action sports

The camera is on the athlete. Control it anyway.

Cameras on athletes and drones, controlled over 4G. RCP at the truck

Do you need a shading panel?

A physical RCP or RCP-J earns its place when you must ride the image live. Ask three questions: Is the light changing live? Must several cameras match on a live cut? Is there a dedicated shader? More yes answers point to a tactile panel. All no: set the cameras up once, let the RCP run them, and tweak only now and then. Size the control surface to the production, not to the camera count.

Not sure which row you are?

Most productions are a blend. Cyanview and its integrators map your camera list onto a topology in one conversation.

Talk to Cyanview Read the docs

Cyanview

One Cyanview for every camera.

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