Use case · Concerts and festivals
The light show fights you. Win anyway.
Concert lighting changes second to second by design. Gimbals roam the pit, long lenses sit at front of house, and the IMAG screens magnify every exposure miss to arena size.
The problem
What makes concerts and festivals hard
Lighting is the show
Strobes, washes and blackouts are the point. Iris has to be ridden live, all night.
Gimbals will not stay wired
Steadicam and gimbal rigs move through crowds. Control has to follow over Wi-Fi or 4G.
Beauty shots from the hill
The long-lens camera at the back of the field is part of the same cut as the pit cameras.
Ride it on real controls
The RCP-J joystick and knobs are made for continuous riding: iris, black and gain under fingers, every camera one button away.
The RIO frees the gimbal
A RIO on the rig controls a mirrorless over USB-C and rides Wi-Fi or 4G back to the panel. If the link drops, the RIO holds camera control until it returns.
Map it onto your production
Cyanview and its integrators design the topology with you: cameras, interfaces, transport and the right control surface.
One Cyanview for every camera.
© Cyanview · Belgium