Use case · Fashion and runway
Skin tones and fabric do not forgive.
Runway shows cut between broadcast cameras, mirrorless bodies on jibs and sliders, and a catwalk lit for the room rather than the lens. Colour accuracy is the entire brief.
The problem
What makes fashion and runway hard
Two colour sciences on one cut
Broadcast and mirrorless cameras render the same red dress two different ways.
Light built for eyes, not sensors
Show lighting flatters the room. The cameras need riding to flatter the garments.
No second take
The walk happens once. Matching has to be right live.
One surface, both worlds
The RCP shades the broadcast fleet and the mirrorless bodies side by side, with real knobs when the look needs riding and set-and-forget when it does not.
Colour where the camera has none
A colour device on the same channel gives mirrorless bodies multi-matrix and detail control, so fabric and skin match across every angle.
Map it onto your production
Cyanview and its integrators design the topology with you: cameras, interfaces, transport and the right control surface.
One Cyanview for every camera.
© Cyanview · Belgium